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DTSTAMP:20260805T205609Z
LOCATION:West Hall Lobby
DTSTART;TZID=America/Los_Angeles:20260721T090000
DTEND;TZID=America/Los_Angeles:20260721T173000
UID:siggraph_SIGGRAPH 2026_sess447@linklings.com
SUMMARY:Posters: Art & Design
DESCRIPTION:28. Agriculture Punk: Hello World from Breadboard Farming\n\nA
 griculture Punk is proposed as a movement toward the computerization of fa
 rmland, grounded in an operational isomorphism in which fields have long e
 ngaged invisible forces—such as the paddy deity housed in a scarecrow—thro
 ugh the insertion and removal of objects, just as breadboards rou...\n\n\n
 Yuki Horiuchi, Karen Furuta, Jingjing Li, and Yoichi Ochiai (University of
  Tsukuba)\n---------------------\n29. Cross-Species Empathy Through Multis
 ensory Interaction\n\nEmpathic Growth 2.0 is an interactive biodigital ins
 tallation that explores plant sensing from a more-than-human perspective. 
 Using affective computing and autonomous agents, it translates human and p
 lant biosignals into hybrid digital entities, sound, and responsive light,
  inviting reflection on se...\n\n\nJia-Qi Shi (Hong Kong University of Sci
 ence and Technology, Guangzhou); Hankun Yu (Goldsmiths, University of Lond
 on); Zhecheng Zhang (China Academy of Art, Hangzhou); Meng Yang (Monash Un
 iversity); Ziwei Wu (Hong Kong University of Science and Technology); and 
 Kang Zhang (Hong Kong University of Science and Technology, Guangzhou)\n--
 -------------------\n30. (Geo) Musical Configurations: A Parametric Framew
 ork for Translating Musical Data into Planar Geometric Compositions\n\n(Ge
 o) Musical Configurations is a rule-based parametric system that translate
 s musical data, including rhythm, pitch, amplitude, and various psychoacou
 stic descriptors, into planar geometric compositions. Musical data is retr
 ieved through the Spotify Web API, parsed into predefined parameter sets, 
 a...\n\n\nSamantha Shanne and Sarah Hammond (University of Southern Califo
 rnia)\n---------------------\n31. Growing Seeds: A Distributed Audiovisual
  System for Transforming Neural Data\n\nGrowing Seeds (2023) explores the 
 transformation of neural activity into sound, image, and movement.\nThroug
 h fNIRS, brain signals are translated into generative audio, Disklavier pi
 ano actions, and holographic LED visuals, forming a recursive performance 
 ecology where cognition and environment conti...\n\n\nHyo Jee Kang (Korea 
 National University of Transportation)\n---------------------\n32. Images 
 Negotiating with Each Other: Māori Conceptualism in a Rule-Based Multi-Age
 nt Drawing Engine\n\nAgentic Images is a rule-based multi-agent drawing sy
 stem in which autonomous agents negotiate territory through five interlock
 ing Māori concepts (mauri, whenua, whanaungatanga, whakapapa, and tikanga)
 , producing emergent composition without training data, LLMs, or diffusion
 .\n\n\nRoman Mitch (Skills Group, Skills Institute)\n---------------------
 \n33. In-situ Evaluation of Multimodal Telepresence Using Point Clouds and
  Floor Vibrations at EXPO 2025\n\nThis paper reports a 70-participant in-s
 itu user study evaluating immersive content delivered via a multimodal tel
 epresence system at the NTT Pavilion, EXPO 2025 Osaka, Kansai, Japan. Fift
 y general users and 20 visual media experts evaluated three visual stimuli
  - real-time point clouds, pre-produce...\n\n\nTetsuro Tokunaga, Ayaka San
 o, and Naoto Abe (NTT)\n---------------------\n34. Kaleidoscope of Thought
 s: A Participatory Immersive Framework for Visualizing Multilingual Emotio
 nal Cognition\n\nKaleidoscope of Thoughts is a participatory immersive ins
 tallation that transforms anonymous multilingual reflections into generati
 ve visuals and spatial sound. Presented within a 360-degree projection env
 ironment, the work visualizes inner speech, memory, and emotional cognitio
 n as a shared audiovi...\n\n\nMegha Sachdeva (Arizona State University, AS
 U Media and Immersive eXperience (MIX) Center)\n---------------------\n35.
  NHK Data Mashup and Analytic Probe System (NMAPS): A Data Visualization S
 ystem for Broadcast-Ready Graphics in TV Production\n\nWe present NMAPS, a
 n integrated data visualization platform for broadcast journalism. Compris
 ing Digital Earth 4 (DE4) for real-time geospatial visualization and Data 
 Navigator for open-data dashboards, NMAPS delivers a pipeline from data co
 llection to broadcast-quality video output. DE4 serves all ...\n\n\nSatosh
 i Suzuki, Yuki Kawamura, Akatoki Noboriguchi, Jyunki Yoshii, Taisuke Nakam
 ichi, and Rihoko Tsukiyama (Japan Broadcasting Corporation (NHK))\n-------
 --------------\n36. 'Out of the Box' - Synthesizing Historical Fashion for
  Virtual Production, XR, and Games via Generative Re-imagination and 4DGS\
 n\nWe present a pipeline transforming fragile historical costumes into dyn
 amic digital assets through Generative Re-imagination. Bridging the gap be
 tween limited physical access and production needs, our novel method unifi
 es multiple 3DGS models into seamless animated representations. Practical 
 example...\n\n\nBarnabas Takacs (FFP Productions, United Illusions); Patri
 k Pencz (United Illusions, Moholy-Nagy University of Art and Design); and 
 Zsuzsanna Vincze (Moholy-Nagy University of Art and Design)\n-------------
 --------\n37. Programmable LED Dance Costumes: Designing Embodied Wearable
  Technology to Enhance Kinesthetic Expression for Dance Performance\n\nThi
 s creativity-support tool addresses a key gap in dance wearable technology
 , where most LED costumes are decorative, pre-programmed, or restrictive t
 o movement, through two live-programmable LED costumes and a custom contro
 l interface that enable real-time authorship of lighting while preserving 
 d...\n\n\nSiddharth Chattoraj (University of California Santa Barbara)\n--
 -------------------\n38. Puzzle: A Reflective AI Interface for Convergent 
 Creative Thinking\n\nPuzzle is an AI-scaffolded direct manipulation worksp
 ace that helps creators synthesize scattered fragments into coherent desig
 n directions, pairing a four-quadrant reasoning puzzling with a multi-agen
 t pipeline that surfaces latent themes while keeping every suggestion grou
 nded in the user's own ma...\n\n\nChung-Ta Huang, Connie Cheng, Yutong Wan
 g, May Choy, and Sydney Nguyen (Harvard University)\n---------------------
 \n39. Revitalizing Heritage Logic: A Procedural Morphogenesis Tool for the
  Stochastic Evolution of Beijing Palace Lanterns\n\nThis research introduc
 es a procedural framework and a Houdini-based morphogenesis tool that bala
 nces "structural genes" with "controlled randomness," facilitating a compl
 ete workflow from algorithmic evolution to artistic practice and physical 
 fabrication of Beijing Palace Lanterns while bridging cu...\n\n\nChuanping
  Lyu and Zhen Yu (China Academy of Art)\n---------------------\n40. Sound 
 Sponges II: Urban Prosthetics and Tangible Urban Interaction for Programma
 ble Acoustic Cities\n\nWe introduce a real-time volumetric acoustic field 
 model that transforms urban noise into a manipulable 3D design medium, ena
 bling simulation and evaluation of spatial interventions (“Sound Sponges”)
  that reshape city-scale sound distributions through programmable, materia
 l-driven attenu...\n\n\nSasan Bahrami and Golshid Jaferian (Drexel Univers
 ity); Foroozan Sadri (Temple University); and Nicole Koltick (University o
 f California, Los Angeles)\n---------------------\n41. Struggle of Seeds: 
 Robotic Photography as a Performative Agent\n\nStruggle of Seeds is a perf
 ormance artwork focusing on photography, robotics, and contemporary dance,
  examining how photographic capture acts as a choreographic agent through 
 a bespoke robot. Photography is positioned not as a representational techn
 ique but as an operation of capture, interruption, ...\n\n\nMasaru Mizuoch
 i (Sony Corporation; Creative Computing Institute, University of the Arts 
 London); Shanshan Zhang (University of the Arts London); and Vali Lalioti 
 (The Innovation Consultancy)\n---------------------\n42. Unveiling Craft G
 rammar: Transcoding Embroidery into Origami\n\nWe introduce transcoding as
  a method to extract spatial grammar from embroidery by translating stitch
 es into origami, revealing transferable topological structures through mat
 erial contrast and enabling process-based representations for digital heri
 tage and generative computational design.\n\n\nXiwen Yao, Beituo Liu, Haip
 eng Mi, and Zhihao Yao (Tsinghua University)\n\nRegistration Category: Ful
 l Conference Supporter, Full Conference, Experience
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