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DTSTAMP:20260805T205459Z
LOCATION:411 Theatre
DTSTART;TZID=America/Los_Angeles:20260721T104500
DTEND;TZID=America/Los_Angeles:20260721T123500
UID:siggraph_SIGGRAPH 2026_sess229@linklings.com
SUMMARY:Embodiment and Translation
DESCRIPTION:Gesture Flux: Unveiling Budaixi Hand Gestures through Mixed Re
 ality Performance\n\nThis work presents Gesture Flux, an immersive perform
 ance system integrating mixed-reality gesture recognition, Budaixi (tradit
 ional Taiwanese glove puppetry), and contemporary dance. Through three int
 eraction modes, hidden puppeteering gestures are transformed from direct a
 rticulation to perceptual...\n\n\nYi Jen Lin, Wei-Chen Yen, and Chun-Cheng
  Hsu (National Chiao Tung University)\n---------------------\nExpanded Voi
 ces: Voice Cloning, Latent Spaces, and Embodied Translation\n\nThis work t
 reats AI models not only as technical systems, but as perceptual, embodied
 , and cultural artifacts. By combining voice cloning and latent space visu
 alization in an interactive installation, the project demonstrates how AI 
 representations can become accessible and critically examined. It o...\n\n
 \nTomas Andrade Weber (Barcelona Supercomputing Center); Maria Arnal Dimas
  (Independent); and Raquel Barrachina Llobet, Sol Bucalo Mana, Jerónimo Ca
 lderón, Fernando Cucchietti, Thaleia Ntiniakou, Adrià Espinoza Gómez, Paul
 a Fernández Vergara, David Garcia-Povedano, Alex Gil, Roger Gonzalez March
 , Othmane Hayoun Mya, Marc Heras Villacampa, Míriam Herrero-Valea, Guiller
 mo Marín, Paula Méndez Gordillo, and Sara Tolosa Alarcón (Barcelona Superc
 omputing Center)\n---------------------\nThe Imagery from Calligraphy: Enc
 oding and Decoding Pictographs Via Interactive Artistic Exploration\n\nThe
  Imagery from Calligraphy is a two-part new media artwork that explores ho
 w Chinese seal script can encode and decode cultural meaning. Through inte
 ractive writing and immersive performance film, it links calligraphy, embo
 died action, and Xuan-paper craft into a participatory experiential archiv
 e...\n\n\nJiayang Huang, Kang Zhang, and David Yip (The Hong Kong Universi
 ty of Science and Technology (Guangzhou))\n---------------------\nBruSHŪ: 
 Cross-Modal Translation of Implicit Micro-Actions in Chinese Calligraphy\n
 \nBruSHŪ is a sensor-embedded calligraphy brush that translates fleeting m
 icro-actions, contact boundaries, turns, and hesitations into sparse sound
  events and an evolving ink-like visual field. Rather than scoring or reco
 nstructing strokes, it makes tacit embodied decisions perceptible and disc
 u...\n\n\nTiancheng LIU (The Hong Kong University of Science and Technolog
 y (Guangzhou), University of Amsterdam); Shumeng Zhang (The Hong Kong Univ
 ersity of Science and Technology (Guangzhou), University of Trento); and N
 icolò Merendino (The Hong Kong University of Science and Technology (Guang
 zhou))\n---------------------\nCreativity ≠ Generativity: A Case Study of 
 Attentive Machine Learning in Dance Performance\n\nDance expresses through
  translation. It transforms intention and story into movement through taci
 t and relational knowledge. When computational systems enter, they interpr
 et movement as machine-legible forms, shaping how dance is perceived. This
  paper presents a case study of human–machine co-...\n\n\nZiyu Xu and Zhuo
 di Cai (University of Washington - DXARTS)\n---------------------\nEmbodim
 ent and Translation - Q&A\n\nAfter all the presentations, attendees are in
 vited to participate in a Q&A.\n\n\nInterest Area: Arts & Design, Gaming &
  Interactive, Production & Animation, Research & Education\n\nKeyword: Art
 , Artificial Intelligence/Machine Learning, Audio, Augmented Reality, Digi
 tal Twins, Display, Dynamics, Education, Ethics and Society, Games, Geomet
 ry, Hardware, Lighting, Performance, Physical AI, Pipeline Tools and Work,
  Real-Time, Scientific Visualization, Spatial Computing, Virtual Reality\n
 \nRegistration Category: Full Conference Supporter, Full Conference, Exper
 ience\n\nSession Chair: Victoria Szabo (Duke University, ACM)
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