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DTSTAMP:20260805T205457Z
LOCATION:411 Theatre
DTSTART;TZID=America/Los_Angeles:20260721T090000
DTEND;TZID=America/Los_Angeles:20260721T103000
UID:siggraph_SIGGRAPH 2026_sess226@linklings.com
SUMMARY:Perception and Presence
DESCRIPTION:Infant Vision: Reconfiguring Perception in Mixed Reality\n\nTh
 is work interweaves vision science with perceptual experience in art. Leve
 raging MR technology, it renders the infant's mysterious vision into a fir
 st-person experiential artwork. For the SIGGRAPH community, the project se
 rves as a case study of how scientific theories and domain knowledge can b
 e ...\n\n\nWei Chen Yen (national yang ming chiao tung university), Seth R
 iskin (Massachusetts Institute of Technology (MIT)), and Chun-Cheng Hsu (n
 ational yang ming chiao tung university)\n---------------------\nResonance
 : Meditative Neural Rhythms as Collective Spatial Experience\n\nResonance 
 transforms a traditionally solitary meditative practice into a shared spat
 ial experience by externalizing a meditator's neural rhythms as architectu
 ral-scale light and motion. Rather than treating neurofeedback as private 
 data, the work situates cognition within an immersive environment th...\n\
 n\nRuipeng Wang (Massachusetts Institute of Technology (MIT); Critical Mat
 ter Group, Media Lab); Yuxiang Cheng and Zhiyan Xing (Harvard University; 
 Critical Matter Group, Media Lab); and Behnaz Farahi (Media Lab, Massachus
 etts Institute of Technology (MIT); Critical Matter Group, Media Lab)\n---
 ------------------\nThe Adaptation Threshold in Mixed Reality Theater: Cog
 nitive Integration and Narrative Reality\n\nMixed-reality technologies inc
 reasingly enter theatrical and artistic practice, and questions of percept
 ion, presence, and staging become as important as technical feasibility. T
 his paper focuses on audience experience, stylization, and artistic intent
 ion. The project demonstrates that mixed reality...\n\n\nNils Gallist (Uni
 versity of Applied Sciences Upper Austria); David Gochfeld (University of 
 York); and Lino Brunmayr (Media Interaction Lab, University of Applied Sci
 ences Upper Austria, Hagenberg)\n---------------------\nEdges of Immersion
 : Data Translation into Ecoaesthetic Experience\n\nClimate knowledge is in
 creasingly shaped by complex data that remain experientially distant. This
  paper examines how immersive ecoaesthetic practices translate environment
 al data into situated sensory experience. Through a case study, it introdu
 ces edges of immersion, showing how artistic strategies...\n\n\nRasa Smite
  (ZHdK Zurich University of the Arts, RIXC Center for New Media Culture) a
 nd Raitis Smits (Art Academy of Latvia, RIXC Center for New Media Culture)
 \n---------------------\nPerception and Presence - Q&A\n\nAfter all the pr
 esentations, attendees are invited to participate in a Q&A.\n\n\nInterest 
 Area: Arts & Design, Research & Education\n\nKeyword: Animation, Art, Audi
 o, Augmented Reality, Capture/Scanning, Dynamics, Hardware, Lighting, Perf
 ormance, Real-Time, Scientific Visualization, Spatial Computing, Virtual R
 eality\n\nRegistration Category: Full Conference Supporter, Full Conferenc
 e, Experience\n\nSession Chair: Oliver Gingrich (University of Greenwich, 
 NeuroCreate)
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